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Sahar-e-Tabinda: Celebrating Divine Love Through Calligraphy

Sahar-e-Tabinda: Celebrating Divine Love Through Calligraphy

Sahar-e-Tabinda: Celebrating Divine Love Through Calligraphy

Sahar-e-Tabinda: A Celebration of Calligraphic Art, Divine Love, and Unity

The Islamic Art Festival 2024, organized by Aiwan e Ilm o Fann and overseen by its General Secretary, renowned calligrapher and artist Irfan Qureshi, promises to be an unparalleled celebration of Islamic creativity. Set against the majestic backdrop of Lahore Fort, this annual festival is a vibrant showcase of exhibitions, workshops, and performances, designed to highlight the rich diversity of Islamic art. Among the key highlights of the event is the exhibition Sahar-e-Tabinda, a tribute to the enduring legacy of Islamic calligraphy.

Sahar-e-Tabinda: Illuminating the Beauty of Calligraphic Art

Sahar-e-Tabinda (سحرِ تابندہ), meaning “Radiant Dawn,” is an exhibition that symbolizes the divine love and unity often expressed through Islamic calligraphy. Calligraphy, with its flowing script and intricate designs, has long been a revered art form in Islamic culture, seen as a means to connect with the divine. The exhibition aims to showcase the elegance of this art form, highlighting how calligraphy not only beautifies but also carries deep spiritual significance.

Celebrating Divine Love and Unity

The focal point of Sahar-e-Tabinda is the expression of Divine love and unity. In Islamic culture, calligraphy is more than just an art form—it is a spiritual practice that has been used for centuries to convey messages of unity, peace, and devotion to the Divine. The exhibition brings together distinguished works that reflect this spiritual depth, allowing viewers to experience the connection between the written word and the divine essence it represents.

Masterpieces by General Hamayun Khan Bengash (Retd) and Contemporary Calligraphers

The exhibition will feature the acclaimed works of General Hamayun Khan Bengash (Retd), a master calligrapher whose pieces are celebrated for their precision and grace. His contributions to the field of Islamic calligraphy are widely recognized, with his work embodying the themes of Divine love and the oneness of humanity. His calligraphy is not only aesthetically stunning but also rich in meaning, symbolizing the unity of creation under the guidance of divine will.

Alongside General Bengash’s works, Sahar-e-Tabinda will also showcase a selection of contemporary calligraphers, each of whom brings their unique interpretation of Islamic calligraphy. These modern artists are pushing the boundaries of tradition, combining classical techniques with innovative approaches to create pieces that resonate with both historical and contemporary audiences. Together, these works form a cohesive celebration of unity, reflecting the timeless relevance of Islamic calligraphy.

The Art of Islamic Calligraphy: More Than Visual Beauty

Islamic calligraphy is a medium through which the beauty of the Arabic script intertwines with the spiritual essence of the Islamic faith. The art form often features verses from the Qur’an, the 99 names of Allah, or other devotional phrases, rendered in styles such as Kufic, Naskh, and Thuluth. The shapes and movements within these scripts are meticulously crafted to evoke a sense of balance, harmony, and spiritual transcendence.

At Sahar-e-Tabinda, visitors will have the opportunity to admire works that embody this tradition while also witnessing how contemporary artists are infusing new life into the age-old practice. Each piece displayed in this exhibition is not merely a visual delight but also a reflection of the artist’s personal journey of faith and devotion.

The Role of Calligraphy in the Islamic Art Festival 2024

Calligraphy has always been a central feature of the Islamic Art Festival, with Sahar-e-Tabinda standing out as one of the most anticipated exhibitions. As the Islamic Art Festival 2024 draws near, this event within the festival provides an essential platform for both established and emerging calligraphers to share their work with a broader audience.

The Islamic Art Festival 2024, taking place from 15th to 18th November at Lahore Fort, aims to bridge the gap between heritage and modernity, offering a space where traditional forms like calligraphy can be appreciated alongside newer artistic expressions. Sahar-e-Tabinda represents this fusion perfectly, showcasing the timeless beauty of Islamic calligraphy while highlighting its relevance in the modern world.

Conclusion: A Timeless Celebration of Calligraphy

Sahar-e-Tabinda is more than just an art exhibition—it is a spiritual journey that connects viewers with the divine through the intricate art of Islamic calligraphy. By showcasing works that emphasize divine love and unity, this exhibition stands as a testament to the profound impact of Islamic calligraphy, both as an artistic practice and a spiritual devotion.

As part of the Islamic Art Festival 2024, Sahar-e-Tabinda will not only inspire art enthusiasts but also deepen their appreciation for the rich traditions of Islamic culture. Don’t miss this opportunity to witness the magnificence of General Hamayun Khan Bengash’s works and those of contemporary calligraphers, all coming together to celebrate the eternal beauty of Islamic calligraphy.

Join us at Lahore Fort this November to experience the radiant dawn of Sahar-e-Tabinda, a celebration of Islamic calligraphy, divine love, and unity.

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